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Titlebook: Landscapes of Culture and Nature; Rod Giblett Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Limited 2009 Australia.biod

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樓主: 浮淺
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發(fā)表于 2025-3-25 07:16:57 | 只看該作者
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The Nether World of the Uncanny City of Dreadful Nightbottomless abyss, nether world or dreadful night. The commonplace responses of dread and horror that were projected onto the native quaking zone were displaced onto the industrial quaking zone of the urban underside. This chapter argues that these writers are ‘placist’ in that they ascribe character
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發(fā)表于 2025-3-25 18:28:48 | 只看該作者
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Fire and Air in the Sublime Bombing of World War II Aerial Warfared cites was the result of military operations against civilians in the city. WWI was fought in the country and over the country; it was also fought on, in and sometimes under, the ground. The theatre of operations was the countryside with its fields, hills, valleys, villages, woods and wetlands. The
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發(fā)表于 2025-3-26 09:25:52 | 只看該作者
Land Health and Mental Health: A New Field for Research Nurturing Biodiversity and Well-Being on Far The link between land health and human physical health goes at least back to the work of Sir Albert Howard, Aldo Leopold and others in what could be called ‘the soil conservation and organic farming classics of the 1940s’ (see Giblett, 2008a, Chapter 11). The link between the two has culminated mos
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發(fā)表于 2025-3-26 13:43:00 | 只看該作者
Terrifying Prospects and Resources of Hope: Minescapes, Timescapes and the Aesthetics of the Futurehe future in some ways like a landscape with various aesthetic possibilities as either, to cut a long story short and simplifying to the extreme, a pleasing prospect (with the double spatial and temporal meaning of ‘prospect’) or a terrifying prospect with also the same double meaning. Along the way
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發(fā)表于 2025-3-26 18:14:48 | 只看該作者
A Natural History of Natural, Unnatural and National Disasterserstand or articulate what they depict. They leave a sense of loss or deficit that makes speech difficult or impossible. The drive to make sense can sometimes thankfully be stilled or stopped by the immediacy and viscerality of a picture. Then, almost by a reflex action, the mind kicks into language
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