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Titlebook: Knee Arthroplasty; Thomas P. Sculco,Ermanno A. Martucci Book 2001 Springer-Verlag Wien 2001 Kniegelenksatz.Knieprothese.Polyethylenabnützu

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21#
發(fā)表于 2025-3-25 04:23:35 | 只看該作者
22#
發(fā)表于 2025-3-25 10:19:25 | 只看該作者
Meniscal-Bearing Knee Arthroplastye wear. Lowering contact stresses to within the reported medical load limit of 5 . (22) while allowing kinematically acceptable motion provides a meniscal bearing surface that is resistant to fatigue wear and has demonstrated normal abrasive wear behavior over a 20 year period as seen in both clinic
23#
發(fā)表于 2025-3-25 15:37:38 | 只看該作者
Total Internal Constraint Prosthesissults obtained. In recent years, the increase in cases of knee replacement to be submitted to revision, and the development of “l(fā)ess rigid” prosthetic designs, have brought these models back to the lime light. Thus, it is the purpose of this chapter to evaluate the relevance of prostheses with great
24#
發(fā)表于 2025-3-25 19:03:19 | 只看該作者
Wound Complications in Total Knee Arthroplastyilure (1). Prevention of soft-tissue problems through the proper selection of skin incision, an understanding of vascular anatomy and patient risk factors, and prompt management should wound problems arise, is imperative to achieve desired results.
25#
發(fā)表于 2025-3-25 20:53:11 | 只看該作者
26#
發(fā)表于 2025-3-26 02:06:06 | 只看該作者
27#
發(fā)表于 2025-3-26 07:28:40 | 只看該作者
28#
發(fā)表于 2025-3-26 11:06:12 | 只看該作者
29#
發(fā)表于 2025-3-26 13:20:47 | 只看該作者
Frederick F. Buechel theatre. The application of supplement, ., and trace as critical instruments foregrounds the acts of suspending and deferring the presence of an object and its ultimate meaning. A deconstructive analysis might thus suggest that . is becoming less present and visible in post-war drama and theatre, s
30#
發(fā)表于 2025-3-26 20:22:54 | 只看該作者
Giorgio Fontanesi,Roberto Rotinifference takes the form of . understood as an open-ended process. In Heiner Müller’s ., this process is uniquely structured as machine-like production of meaning. Müller’s concept of a deconstructive meaning-making machine works in a symmetrical opposition to Giorgio Agamben’s anthropological machin
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