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Titlebook: Kleist-Jahrbuch 1993; Hans Joachim Kreutzer Book 19931st edition Springer-Verlag Berlin Heidelberg 1993

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11#
發(fā)表于 2025-3-23 12:24:37 | 只看該作者
Hans-Jürgen Beckern. Two contrasting approaches have been employed in studying this phenomenon: one based on the ‘global cities’ thesis (Castells, 1989; Sassen, 1991; 1996), and the other, which is used in this chapter, focusing on the changing face of households (Pinch, 1993). While the household remains the basic s
12#
發(fā)表于 2025-3-23 17:21:01 | 只看該作者
13#
發(fā)表于 2025-3-23 18:35:14 | 只看該作者
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發(fā)表于 2025-3-24 00:50:47 | 只看該作者
15#
發(fā)表于 2025-3-24 02:48:03 | 只看該作者
esses and women doctors. Hitherto, the autobiographical writings of women artists (whether they were painters, dancers, actresses, musicians, composers or sculptors), have primarily been researched and read for their recording of their public accomplishments and for information on the participants w
16#
發(fā)表于 2025-3-24 08:42:10 | 只看該作者
17#
發(fā)表于 2025-3-24 11:28:08 | 只看該作者
Günter Hessraphies examined I have selected four which exemplify the concerns of this group; some of which have been the focus of social historians.. In these texts their common concerns range from those of vocation/service, religion, celibacy and spinsterhood, to teaching methods, curriculum and retirement is
18#
發(fā)表于 2025-3-24 16:09:01 | 只看該作者
Volker N?lleesses and women doctors. Hitherto, the autobiographical writings of women artists (whether they were painters, dancers, actresses, musicians, composers or sculptors), have primarily been researched and read for their recording of their public accomplishments and for information on the participants w
19#
發(fā)表于 2025-3-24 23:04:36 | 只看該作者
20#
發(fā)表于 2025-3-25 01:13:34 | 只看該作者
Kein Anderer K.!st der Frau Oberbürgermeisterin: die gener?se Einladung der Stadt hat es m?glich gemacht, da? wir an diesem bildhaft-symbolischen Ort, dem Reichssaal, mit der Vergabe des Kleist-Preises an einen Dichter erinnern k?nnen, der mit seinem Werk, vor allem in seiner Nachwirkung, über lange Zeit schon die
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