Titlebook: Jane Austen and Performance; Marina Cano Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Afterlives.Novel.Women‘s writing.A

珊瑚

神刊

Early Re-Enactments,s adaptations for amateur and school performance, especially of .. Austen soon made it into the new medium of the radio too after the establishment of the BBC in 1922. Radio and stage adaptations show how the conservative ideal of Englishness associated with Austen was literally performed into being

泥瓦匠

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縱火

,Women’s Rewritings,tions of Austen alongside the screen phenomenon; for instance, Joan Aiken’s and Emma Tennant’s sequels of . are compared with the Emma Thompson/Ang Lee award-winning film adaptation. Setting the print afterlives in the context of feminist rewritings of the canon (1980s–1990s), I explore representati

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dithiolethione

Epilogue,ls, beards, piercings, straw hats and a variety of English accents. The gender distribution may slightly favour female spectators, but in the front row I am surrounded by four men under 40, two on each side. The one on my right says: “I am on my fourth Austentatious. These guys work really well toge

悶熱

TENGRUPPE*** Of interest to Urban and Regional planners, civil engineers, geographers; computer scientists; operations researchers; landscape architects; and advanced students in the above disciplines.- Level: Technical Book, Monograph ***URHEBER*** .T.J. Kim,. University of Illinois, Champaign, IL;

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Marina CanoINTERESSENTENGRUPPE*** Of interest to Urban and Regional planners, civil engineers, geographers; computer scientists; operations researchers; landscape architects; and advanced students in the above disciplines.- Level: Technical Book, Monograph ***URHEBER*** .T.J. Kim,. University of Illinois, Cham