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Titlebook: Jane Austen and Performance; Marina Cano Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Afterlives.Novel.Women‘s writing.A

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樓主: bile-acids
21#
發(fā)表于 2025-3-25 04:05:51 | 只看該作者
22#
發(fā)表于 2025-3-25 11:06:56 | 只看該作者
ct fits into the Twisted ecosystem and what it does, and offers several examples to bring readers up to speed, with pointers to additional resources for more depth. Examples include using Twisted with Docker, as a WSGI container, for file sharing, and more..What You‘ll Learn.Integrate Twisted and as
23#
發(fā)表于 2025-3-25 12:23:44 | 只看該作者
Marina Canog and using these functions is not enough. You also need to understand how to tune the queries. .Expert T-SQL Window Functions in SQL Server .explains clearly how to get the best performance978-1-4842-1103-8
24#
發(fā)表于 2025-3-25 18:01:39 | 只看該作者
Marina Canog and using these functions is not enough. You also need to understand how to tune the queries. .Expert T-SQL Window Functions in SQL Server .explains clearly how to get the best performance978-1-4842-1103-8
25#
發(fā)表于 2025-3-25 20:16:45 | 只看該作者
Marina Canor to write, and easier to deconstruct, maintain, and enhance in the future..Just knowing and using these functions is not enough. You also need to understand how to tune the queries. .Expert T-SQL Window Functi978-1-4842-5196-6978-1-4842-5197-3
26#
發(fā)表于 2025-3-26 01:30:56 | 只看該作者
27#
發(fā)表于 2025-3-26 08:12:03 | 只看該作者
Marina Canoreaders up to speed, with pointers to additional resources for more depth. Examples include using Twisted with Docker, as a WSGI container, for file sharing, and more..What You‘ll Learn.Integrate Twisted and as978-1-4842-3741-0978-1-4842-3742-7
28#
發(fā)表于 2025-3-26 09:51:19 | 只看該作者
Book 2017ns; and how they have had key psychological, pedagogical and therapeutic functions for an ever growing audience. Ultimately, this book explains why Austen remains the most beloved author in English Literature.
29#
發(fā)表于 2025-3-26 15:27:59 | 只看該作者
30#
發(fā)表于 2025-3-26 17:00:01 | 只看該作者
Jane Austen and Suffrage,, essays, memoirs and even processions often drew on Austen and her work. A good example is Rosina Filippi’s first stage adaptation of Austen (1895); other instances include works by Millicent Fawcett, Cicely Hamilton and Sara Bard Field. I argue that suffragists appropriated Austen as a model and r
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