Titlebook: Italian Americans in Film; Establishing and Cha Daniele Fioretti,Fulvio Orsitto Book 2023 The Editor(s) (if applicable) and The Author(s),

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書目名稱Italian Americans in Film影響因子(影響力)




書目名稱Italian Americans in Film影響因子(影響力)學(xué)科排名




書目名稱Italian Americans in Film網(wǎng)絡(luò)公開度




書目名稱Italian Americans in Film網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Italian Americans in Film被引頻次




書目名稱Italian Americans in Film被引頻次學(xué)科排名




書目名稱Italian Americans in Film年度引用




書目名稱Italian Americans in Film年度引用學(xué)科排名




書目名稱Italian Americans in Film讀者反饋




書目名稱Italian Americans in Film讀者反饋學(xué)科排名

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Italian and Italian American Studieshttp://image.papertrans.cn/i/image/475940.jpg

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Commentary

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2635-2931 ersects the fields of Italian Culture, Italian American Cult.This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (.Vendetta.) to the transition from first- to second-generation immigrants (.Ask the Dust.), and

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‘I Don’t Do Business with Dagoes’: Anti-Italian Discrimination in Nicholas Meyer’s the New Orleans’ ruling class, worried about the rise in status of immigrants that were originally attracted in Louisiana only to replace the slaves after the emancipation. In this sense, the economic success of the Italian American businessman Joseph Macheca was a threat to their supremacy.

懶洋洋

Cabinet

Nice Guys Finish Last? Delbert Mann’s , is attempting to build his own life. The chapter underlines how . is representative of the struggle of second generation Italian Americans who struggled to balance Americanization and respect of traditional family values.