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Titlebook: Italian Americans in Film; Establishing and Cha Daniele Fioretti,Fulvio Orsitto Book 2023 The Editor(s) (if applicable) and The Author(s),

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發(fā)表于 2025-3-21 19:57:55 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Italian Americans in Film
副標(biāo)題Establishing and Cha
編輯Daniele Fioretti,Fulvio Orsitto
視頻videohttp://file.papertrans.cn/476/475940/475940.mp4
概述Examines how Italian Americans have been represented in cinema.Challenges the most common tropes of Italian Americanness: food and mafia.Intersects the fields of Italian Culture, Italian American Cult
叢書名稱Italian and Italian American Studies
圖書封面Titlebook: Italian Americans in Film; Establishing and Cha Daniele Fioretti,Fulvio Orsitto Book 2023 The Editor(s) (if applicable) and The Author(s),
描述.This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (.Vendetta.) to the transition from first- to second-generation immigrants (.Ask the Dust.), and from the establishment of the stereotype of the Italian American gangster (.Little Caesar, Scarface.) to its re-definition (.Mean Streets.), along with a peculiar depiction of Italian American masculinity (.Marty, Raging Bull.). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (.BigNight.) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in .The Funeral, Goodfellas., .Donnie Brasco., and the first two chapters of the .Godfather. trilogy
出版日期Book 2023
關(guān)鍵詞Italian American Culture; Cinema; Italian American History; Migration Studies; Ethnic Minorities
版次1
doihttps://doi.org/10.1007/978-3-031-06465-4
isbn_softcover978-3-031-06467-8
isbn_ebook978-3-031-06465-4Series ISSN 2635-2931 Series E-ISSN 2635-294X
issn_series 2635-2931
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Italian and Italian American Studieshttp://image.papertrans.cn/i/image/475940.jpg
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2635-2931 ersects the fields of Italian Culture, Italian American Cult.This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (.Vendetta.) to the transition from first- to second-generation immigrants (.Ask the Dust.), and
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‘I Don’t Do Business with Dagoes’: Anti-Italian Discrimination in Nicholas Meyer’s the New Orleans’ ruling class, worried about the rise in status of immigrants that were originally attracted in Louisiana only to replace the slaves after the emancipation. In this sense, the economic success of the Italian American businessman Joseph Macheca was a threat to their supremacy.
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Nice Guys Finish Last? Delbert Mann’s , is attempting to build his own life. The chapter underlines how . is representative of the struggle of second generation Italian Americans who struggled to balance Americanization and respect of traditional family values.
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