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Titlebook: Iris Murdoch and Harry Weinberger; Imaginations and Ima Rebecca Moden Book 2023 The Editor(s) (if applicable) and The Author(s), under excl

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發(fā)表于 2025-3-21 17:49:42 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Iris Murdoch and Harry Weinberger
副標(biāo)題Imaginations and Ima
編輯Rebecca Moden
視頻videohttp://file.papertrans.cn/476/475334/475334.mp4
概述Presents a reappraisal of Murdoch‘s novels, through the lens of her discourse with Weinberger.Multi-disciplinary, incorporating philosophical, literary, and art historical perspectives.Opens up a new
叢書(shū)名稱(chēng)Iris Murdoch Today
圖書(shū)封面Titlebook: Iris Murdoch and Harry Weinberger; Imaginations and Ima Rebecca Moden Book 2023 The Editor(s) (if applicable) and The Author(s), under excl
描述.The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art. This book presents a reappraisal of Murdoch’s novels – chiefly, three mature novels, .The Sea, The Sea. (1978.), Nuns and Soldiers. (1980) and .The Good Apprentice. (1985), and two enigmatic late novels, .The Green Knight. (1993) and .Jackson’s Dilemma. (1995) – which are perceived through the prism of her discourse with Weinberger. It draws on a run of almost 400 letters from Murdoch to Weinberger, and on Murdoch’s philosophical writings, Weinberger’s private writings, the remarks of both artists in interviews, and other material relating to their views on art and art history, much of which is unpublished and has received no previous critical attention. Scrutiny of their shared values, methods and the imagistic dialogue that takesplace in their art provides original perspectives on Murdoch’s creativity, and new ways of understanding her experimentation with the visual arts. This book offers a new line of enquiry into Murdoch‘s novels, and into the relat
出版日期Book 2023
關(guān)鍵詞Murdoch; Weinberger; Visual Art; History; Painting
版次1
doihttps://doi.org/10.1007/978-3-031-17945-7
isbn_softcover978-3-031-17947-1
isbn_ebook978-3-031-17945-7Series ISSN 2731-331X Series E-ISSN 2731-3328
issn_series 2731-331X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:16:01 | 只看該作者
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發(fā)表于 2025-3-22 00:54:12 | 只看該作者
Writer Meets Painter,rse, centred on sustained discussion of the practice, teaching, and morality of art. In Weinberger, a deeply committed and erudite painter, Murdoch recognised a kindred spirit, who was the practical embodiment of her theoretical ideas. Though Weinberger was a minor artist, and Murdoch a major writer
地板
發(fā)表于 2025-3-22 07:11:31 | 只看該作者
Murdoch and Visual Art,ascination with the visual arts originated in her schooldays. In her early adulthood she considered pursuing a career in painting. Realising eventually that she would not become a painter, Murdoch channelled her experimentation with the visual arts into her novels. She weaves imagery and techniques
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發(fā)表于 2025-3-22 16:54:08 | 只看該作者
Kindred Spirits,t ways. Its impact on her is apparent in her novels, her remarks in interviews, and her philosophical works of this period. Her increasing interest in painting, specifically abstract painting, is evident in her 1977 interview with Bryan Magee, and in ‘Art Is the Imitation of Nature’ (1978). Her jour
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發(fā)表于 2025-3-23 04:06:59 | 只看該作者
,‘More than a Likeness’: The Ethics of Portraiture,ts on the subject of portraiture. In . and . Murdoch explores the ethics of portraiture most directly. Although these novels were written years before Murdoch and Weinberger met, her interrogations of portraiture in them closely connect with the ideas which Weinberger works out in his artistic pract
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發(fā)表于 2025-3-23 08:12:33 | 只看該作者
,‘Something in a Dark Picture’: Reconceptualising Angels,The angel represents a vital mediating space on the boundary of internal and external realities which can reorientate the individual towards truth, but which is at continual risk of turning in on itself. In . and . the angel becomes the site of aesthetic and erotic fantasy. In ., Murdoch turns to gr
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