Titlebook: Iris Murdoch and Harry Weinberger; Imaginations and Ima Rebecca Moden Book 2023 The Editor(s) (if applicable) and The Author(s), under excl

minuscule

書目名稱Iris Murdoch and Harry Weinberger影響因子(影響力)




書目名稱Iris Murdoch and Harry Weinberger影響因子(影響力)學科排名




書目名稱Iris Murdoch and Harry Weinberger網絡公開度




書目名稱Iris Murdoch and Harry Weinberger網絡公開度學科排名




書目名稱Iris Murdoch and Harry Weinberger被引頻次




書目名稱Iris Murdoch and Harry Weinberger被引頻次學科排名




書目名稱Iris Murdoch and Harry Weinberger年度引用




書目名稱Iris Murdoch and Harry Weinberger年度引用學科排名




書目名稱Iris Murdoch and Harry Weinberger讀者反饋




書目名稱Iris Murdoch and Harry Weinberger讀者反饋學科排名

金盤是高原

磨坊

Writer Meets Painter,rse, centred on sustained discussion of the practice, teaching, and morality of art. In Weinberger, a deeply committed and erudite painter, Murdoch recognised a kindred spirit, who was the practical embodiment of her theoretical ideas. Though Weinberger was a minor artist, and Murdoch a major writer

dissolution

Murdoch and Visual Art,ascination with the visual arts originated in her schooldays. In her early adulthood she considered pursuing a career in painting. Realising eventually that she would not become a painter, Murdoch channelled her experimentation with the visual arts into her novels. She weaves imagery and techniques

CHOKE

注入

Kindred Spirits,t ways. Its impact on her is apparent in her novels, her remarks in interviews, and her philosophical works of this period. Her increasing interest in painting, specifically abstract painting, is evident in her 1977 interview with Bryan Magee, and in ‘Art Is the Imitation of Nature’ (1978). Her jour

揉雜

出汗

并入

,‘More than a Likeness’: The Ethics of Portraiture,ts on the subject of portraiture. In . and . Murdoch explores the ethics of portraiture most directly. Although these novels were written years before Murdoch and Weinberger met, her interrogations of portraiture in them closely connect with the ideas which Weinberger works out in his artistic pract

偶像

,‘Something in a Dark Picture’: Reconceptualising Angels,The angel represents a vital mediating space on the boundary of internal and external realities which can reorientate the individual towards truth, but which is at continual risk of turning in on itself. In . and . the angel becomes the site of aesthetic and erotic fantasy. In ., Murdoch turns to gr