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Titlebook: Intertextual Dynamics within the Literary Group of Joyce, Lewis, Pound and Eliot; The Men of 1914 Dennis Brown Book 1990 Palgrave Macmillan

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發(fā)表于 2025-3-21 16:35:17 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Intertextual Dynamics within the Literary Group of Joyce, Lewis, Pound and Eliot
副標(biāo)題The Men of 1914
編輯Dennis Brown
視頻videohttp://file.papertrans.cn/473/472916/472916.mp4
圖書封面Titlebook: Intertextual Dynamics within the Literary Group of Joyce, Lewis, Pound and Eliot; The Men of 1914 Dennis Brown Book 1990 Palgrave Macmillan
描述The book examines key texts by the writers James Joyce, Wyndham Lewis, Ezra Pound and T.S. Eliot as moves within a shared group-game - that of creating a new literature for the new age. It maps a great deal of intertextual reference, allusion and influence and suggests a psychoanalytically-informed hypothesis that certain literature can be constituted a species of interpersonal groupwork. It demonstrates how the core grouping within literary modernism developed an experimental discourse through mutual rivalry and sharing. And it describes different group roles, contributions and changes of emphasis within an overall project stretching from 1914 into the 1950s.
出版日期Book 1990
關(guān)鍵詞English literature; George Eliot; Modernism; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230378490
isbn_ebook978-0-230-37849-0
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1990
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:15:46 | 只看該作者
To Announce a New Age,is on 18 November of the same year, on board a yacht docked at Amherst, Nova Scotia; Pound on 30 October 1885 in Hailey, Idaho, a tiny frontier town; Eliot on 26 September 1888 in St Louis, Missouri.. Only six years, then, separated the ages of the four individuals who, more than any other writers i
板凳
發(fā)表于 2025-3-22 03:57:24 | 只看該作者
地板
發(fā)表于 2025-3-22 04:56:55 | 只看該作者
The Great Decade,4 group. Whereas Lewis’s contribution was supreme in, say, 1917 when Pound and Eliot largely danced to his tune, and Joyce was still perfecting the first three episodes of ., by 1920 Pound and Eliot had become mesmerised by Joyce’s masterwork and Lewis had scarcely got back into gear after his war y
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發(fā)表于 2025-3-22 12:47:29 | 只看該作者
Lost in the Labyrinth,, . constitutes a stylistic journey — starting with a synthesis of late Flaubert, Dujardin and Lewis in the . and progressing, through parodic metamorphoses, to the remarkable Molly-spiel of ‘Penelope’, . (when ended) will elaborate a flexible, yet self-consistent, species of stylistic stasis. Joyce
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發(fā)表于 2025-3-22 15:30:36 | 只看該作者
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發(fā)表于 2025-3-22 19:59:17 | 只看該作者
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發(fā)表于 2025-3-22 21:17:29 | 只看該作者
To Announce a New Age,t to the Slade School of Art; Pound also embarked early on his ambition to know more about poetry than ‘a(chǎn)ny man living’. and, in ., wrote teenage lyrics to the future poetess H. D.; and Eliot, whose mother wrote poems (one of which, ., Eliot would later arrange for publication), brought out eight is
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發(fā)表于 2025-3-23 04:21:27 | 只看該作者
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發(fā)表于 2025-3-23 05:35:45 | 只看該作者
The Great Decade,d an overall synthesis where extremes could meet: radical experimentality could coexist with allusive resonance; strong stylistic postures could be asserted within a comprehensive polyvocality; and romantic self-preoccupation could be subsumed into neoclassical impersonality. The book also opened a
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