Titlebook: Intertextual Dynamics within the Literary Group of Joyce, Lewis, Pound and Eliot; The Men of 1914 Dennis Brown Book 1990 Palgrave Macmillan

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保守黨

To Announce a New Age,is on 18 November of the same year, on board a yacht docked at Amherst, Nova Scotia; Pound on 30 October 1885 in Hailey, Idaho, a tiny frontier town; Eliot on 26 September 1888 in St Louis, Missouri.. Only six years, then, separated the ages of the four individuals who, more than any other writers i

圍巾

cortex

The Great Decade,4 group. Whereas Lewis’s contribution was supreme in, say, 1917 when Pound and Eliot largely danced to his tune, and Joyce was still perfecting the first three episodes of ., by 1920 Pound and Eliot had become mesmerised by Joyce’s masterwork and Lewis had scarcely got back into gear after his war y

平庸的人或物

Lost in the Labyrinth,, . constitutes a stylistic journey — starting with a synthesis of late Flaubert, Dujardin and Lewis in the . and progressing, through parodic metamorphoses, to the remarkable Molly-spiel of ‘Penelope’, . (when ended) will elaborate a flexible, yet self-consistent, species of stylistic stasis. Joyce

法律

異常

Musket

To Announce a New Age,t to the Slade School of Art; Pound also embarked early on his ambition to know more about poetry than ‘a(chǎn)ny man living’. and, in ., wrote teenage lyrics to the future poetess H. D.; and Eliot, whose mother wrote poems (one of which, ., Eliot would later arrange for publication), brought out eight is

infringe

脫毛

The Great Decade,d an overall synthesis where extremes could meet: radical experimentality could coexist with allusive resonance; strong stylistic postures could be asserted within a comprehensive polyvocality; and romantic self-preoccupation could be subsumed into neoclassical impersonality. The book also opened a