Titlebook: Intermedial Performance and Politics in the Public Sphere; Katia Arfara,Aneta Mancewicz,Ralf Remshardt Book 2018 The Editor(s) (if applica

Epithelium

Refugee Theatre in the (Inter)medial Matrix: , and the Limits of Theatre as Public Sphere,s recent German and European productions that respond variously to the current refugee situation and the political crisis arising from it. Increasingly, the German theatre has worked with the introduction of actual refugees on stage as a way of breaking down the borders of mere representation. The c

混合

,‘Heterotopian Transformations’: An Interview with Akira Takayama, experience a different way of viewing the cityscape where they wander. Takayama interprets heterotopia as an other space which does exist in reality. His creations are based on his perception of reality gained through extensive research with local researchers and collaborators. Taking examples from

你正派

Troubled Feedback Loop: , by Theatre NO99,d Theatre NO99. The production is an example of how intermedial theatre engages with political debates and takes part in forming and re-thinking collective memory and identity patterns. In the chapter, the intermedial relations in the performance are discussed through the lens of Erika Fischer-Licht

一美元

,Between Art, Society, Representation, and Subjectivity: Wojtek Ziemilski’s , and society. In . [.] (2011), Ziemilski uses the mechanisms of Real Time Composition and devising theatre to explore the possibilities of social choreography in the age of omnipresent, interactive media and political crisis. The chapter describes how Ziemilski’s unusual performance contributed to t

ASSET

,‘The Intimacy of Public Space’: An Interview with Kris Verdonck, and .. Both works make use of various media and relate the use of technology to politics. Verdonck discusses the intimacy of public space, and the invasion of commercial and governmental violence in both the public sphere and the personal space, and how technology facilitates this intrusion. The co

Frequency-Range

Empire Strikes Back: The 2014 Maidan Revolution in Ukraine, Postmodern Spectatorship, and the Battlmediality. However, the focus of discussion is shifted from media coverage to the complex patterns formed by politics and performance, which continuously reanimate each other. In this respect, politics and performance are treated as modes and practices of aesthetic thinking. Analysing the patterns o

MULTI

,The Politics of the Digital Public Sphere: On Rabih Mroué’s ,rs themselves with their mobile phones, some of them recording their own assassination. Mroué questions the way in which we receive and translate testimonies and information appearing in the public sphere of cyberspace, not only in ‘limit situations’ but also in everyday life, following broader comm

Uncultured

,‘Almost Like a Teaching Play’: Daniel Wetzel/Rimini Protokoll in a Conversation with Florian Malzac and creating their very own, highly influential version of documentary theatre. In recent year another strand of their work has become more prominent: the use of existing cityscapes as material and protagonist as well as the creation of complex, half-virtual spaces. Often touching on political issu

準則

GLIB