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Titlebook: Intermedial Performance and Politics in the Public Sphere; Katia Arfara,Aneta Mancewicz,Ralf Remshardt Book 2018 The Editor(s) (if applica

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發(fā)表于 2025-3-21 19:10:33 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Intermedial Performance and Politics in the Public Sphere
編輯Katia Arfara,Aneta Mancewicz,Ralf Remshardt
視頻videohttp://file.papertrans.cn/472/471146/471146.mp4
概述Presents case studies from across an intercultural spectrum, including East European, Asian, and Middle Eastern performances.Contributes to a lively, dynamic discussion across several disciplines, inc
叢書名稱Avant-Gardes in Performance
圖書封面Titlebook: Intermedial Performance and Politics in the Public Sphere;  Katia Arfara,Aneta Mancewicz,Ralf Remshardt Book 2018 The Editor(s) (if applica
描述This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond?.The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA, covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Ta
出版日期Book 2018
關鍵詞Intermedial performance; Politics; Geopolitics; Middle East; Aesthetics; Immersive theatre; Participation;
版次1
doihttps://doi.org/10.1007/978-3-319-75343-0
isbn_softcover978-3-030-09206-1
isbn_ebook978-3-319-75343-0Series ISSN 2946-3092 Series E-ISSN 2946-3106
issn_series 2946-3092
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Avant-Gardes in Performancehttp://image.papertrans.cn/i/image/471146.jpg
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https://doi.org/10.1007/978-3-319-75343-0Intermedial performance; Politics; Geopolitics; Middle East; Aesthetics; Immersive theatre; Participation;
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978-3-030-09206-1The Editor(s) (if applicable) and The Author(s) 2018
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Intermedial Theatre in a Mediatized Culture and Society,and television—to the public sphere as defined by Jürgen Habermas in terms of free accessibility for everybody (open to all), the ambition to be free from power and propaganda, and the contribution to matters of general interest. The chapter presents two opposing notions of the performative turn: th
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Mirrors of Public Space: An Interview with Dries Verhoeven,unters or straightforwardly provocative events, Verhoeven invites passers-by to reflect on how we use public spaces, engaging audiences with diverse social and cultural backgrounds. During the interview, Groot Nibbelink and Verhoeven discuss how neoliberalism and digital culture profoundly impact pu
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