Titlebook: Homosexuality and Italian Cinema; From the Fall of Fas Mauro Giori Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Masculini

Hippocampus

表被動

The Editor(s) (if applicable) and The Author(s) 2017

Ruptured-Disk

https://doi.org/10.1057/978-1-137-56593-8Masculinity; Lesbianism; Cinecittà; Body; Sex; Gender

細(xì)節(jié)

重力

Virtues

extensive archival research on hundreds of unpublished documThis book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in It

變色龍

Book 2017representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer c

老人病學(xué)

mortuary

Enjoying the Darkness,ation of film projections as opportunities to manifest a shared sexual identity, and of cinemas as ‘cruising spots’. It also explains why the deeply homophobic ultraconservative culture often adopted similar modes of theoretical discourse and strategies.

好色

Luchinidi and Pasolinidi,blic opinion in 1960, films such as Visconti’s . and those written by Pasolini before his debut as a director acquire new meaning, and contribute to a turn towards more ambiguous representations resulting from conflicting and diverging intentions, ideologies and personal experiences.