Titlebook: Homosexuality and Italian Cinema; From the Fall of Fas Mauro Giori Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Masculini

切口

書目名稱Homosexuality and Italian Cinema影響因子(影響力)




書目名稱Homosexuality and Italian Cinema影響因子(影響力)學(xué)科排名




書目名稱Homosexuality and Italian Cinema網(wǎng)絡(luò)公開度




書目名稱Homosexuality and Italian Cinema網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Homosexuality and Italian Cinema被引頻次




書目名稱Homosexuality and Italian Cinema被引頻次學(xué)科排名




書目名稱Homosexuality and Italian Cinema年度引用




書目名稱Homosexuality and Italian Cinema年度引用學(xué)科排名




書目名稱Homosexuality and Italian Cinema讀者反饋




書目名稱Homosexuality and Italian Cinema讀者反饋學(xué)科排名

venous-leak

傀儡

Undressing the Other,ity generated by homosexuality initially focused on two very different but intertwined and widely discussed forms of display of the undressed male body: the ambiguous spectacle of men passing for women in a series of burlesque movies which gave birth to a wave of so-called shockumentaries and the hy

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Love in the Time of Panic,entaries, whilst on the other hand original representations were produced following the examples of Visconti and Pasolini, or taking inspiration from literary models, or even as social commentaries in the so-called comedy, Italian style, especially in the form of episode films.

慷慨不好

Sexual Revolution, Italian Style, sexual revolution, to exploit what it pretended to discuss since it was perceived as a menace, mostly free love among youths and women’s independence. In this new context, the less male homosexuality was understood as challenging, the more lesbianism was preferred on the condition that it was norma

歪曲道理

mortuary

The Only Good Thing, the breaking of these last taboos usually failed to be really challenging. It also shows how in Italy cinematic pornography was prevented by a cross-party front from playing a role in the development of both a gay subculture and a sexual revolution, although other successful forms of untargeted por

自傳

Cuisine

Conclusion: Martyrdom and Pleasure,ship between homosexuality and Italian cinema traced in the book, are far from being enough to explain its significance: pleasure, curiosity, attraction, and even concealed fantasies on the part of men self-declaring heterosexual have been as much important.