Titlebook: History as Theatrical Metaphor; History, Myth and Na Ian Brown Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Scottish thea

AMITY

The Re-Visioning of History: Sue Glover and Liz Lochhead,therbow Theatre in 1975. This situation was transformed in the 1980s through the emergence of playwrights like Lara Jane Bunting, Anne-Marie Di Mambro, Anne Downie, Sue Glover, Liz Lochhead (who had earlier collaborated with Evaristi on . (1978), Sharman Macdonald, Rona Munro, Aileen Ritchie and others. Tom Maguire argues that

臭名昭著

Book 2016ythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donal

Debate

978-1-349-69247-7The Editor(s) (if applicable) and The Author(s) 2016

脫水

https://doi.org/10.1057/978-1-137-47336-3Scottish theatre; twentieth century theatre; theatre history; history plays; national identity; national

PANEL

,History, Mythology, and ‘Re-Presentation’ of Events,Stephen Greenblatt famously begins his study of Shakespeare’s drama by observing, ‘I began with the desire to speak with the dead’.. By the end of his first chapter he has expanded on this:

BARK

Ian BrownProvides the first monograph focused specifically on the Scottish history play.Leads the field in Scottish theatre studies with comprehensive and up to date coverage of a variety of plays.Casts new li