Titlebook: History as Theatrical Metaphor; History, Myth and Na Ian Brown Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Scottish thea

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魯莽

jet-lag

,The Creation of a ‘Missing’ Tradition: Robert McLellan and His Contemporaries,y Hugh MacDiarmid in the nineteen-twenties’ is quite explicit.. The four dramatists on whom this chapter mainly focuses—McLellan (1907–85), Robert Kemp (1908–67), Alexander Reid (1914–82) and Sydney Goodsir Smith (1915–75)—were indeed to one extent or another part of the Scottish Literary Renaissanc

殖民地

Revealing Hidden Histories: Seven Changing Perspectives,later revisionary approaches to the presentation of Scottish history on stage. These dramatists resisted, revised, revitalized, and reimagined the imperatives underlying the work of McLellan and his contemporaries. All engage in playwriting that in distinct ways subverts the more conventional approa

MAIM

命令變成大炮

Alternative Visions,story plays came to prominence in the 1970s. A parallel generation of playwrights emerged in the 1980s with their own approaches to the representation of historical material on the Scottish stage. The two leading members of this generation dealing with historical material are Jo (formerly John) Clif

Servile

Re-Constructing the Deconstructed: David Greig and Rona Munro,to that of Clifford and Arnott. Both took around a decade before writing their first history play, in the case of Munro . (1995) and Greig . (1999). Both, however, in individual ways follow Clifford and Arnott’s practice in emphasizing parable, allegory, and the epic in their historical drama. Of .,

鬼魂

必死

mediocrity

Ian Brownial time, and are assumed known. This contribution arose from discussion with J. P. Guiraud on attempts to push forward our last co-signed paper (1986) and the main idea is to put a stochastic structure on fluctuations and to identify the large eddies with a part of the probability space. The Reynol