Titlebook: Hand-Made Television; Stop-Frame Animation Rachel Moseley Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 aesthetics.animati

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書目名稱Hand-Made Television影響因子(影響力)




書目名稱Hand-Made Television影響因子(影響力)學(xué)科排名




書目名稱Hand-Made Television網(wǎng)絡(luò)公開度




書目名稱Hand-Made Television網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Hand-Made Television被引頻次




書目名稱Hand-Made Television被引頻次學(xué)科排名




書目名稱Hand-Made Television年度引用




書目名稱Hand-Made Television年度引用學(xué)科排名




書目名稱Hand-Made Television讀者反饋




書目名稱Hand-Made Television讀者反饋學(xué)科排名

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https://doi.org/10.1057/9781137551634aesthetics; animation; bibliography; Britain; Great Britain; knowledge; play; television; British and Irish

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The Pastoral Past, Pogles, . Trumptonshire . The Herbs . The Wombles, . Clangers,

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https://doi.org/10.1007/978-94-017-5908-3t be conceptualised around warmth, intimacy, scale and memory. At the same time, such a relationship might produce disjunctive moments which undermine the flattened nostalgia through which these programmes have often been affectionately remembered.

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Contexts,etched via archival research which establishes an environment of collaboration and negotiation between the BBC and independent producers of animation. Finally, the counter-cultural mood of the 1960s forms a significant backdrop against which these programmes negotiated social change.

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