Titlebook: Hand-Made Television; Stop-Frame Animation Rachel Moseley Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 aesthetics.animati

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Book 2016is book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children‘s programmes..

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Contexts,h the programmes addressed in this book can be positioned. Virtually absent from discussions of British television history generally, children’s television in particular and even from Animation Studies, this chapter repositions stop-frame television in a longer history of British practice stretching

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Magic and Movement, movement, which seems simultaneously independent and in an intimate relationship with the child’s hand at play as it jumps or slides toys around in space. In this sense, the animator’s hand stands in for the child’s, producing a closeness to the television image which is bound up in the space betwe

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