Titlebook: Haiku and Modernist Poetics; Yoshinobu Hakutani Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009

PRISE

Interferons

pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses

modifier

Edward D. Frohlich,Richard N. Rewithdrew from a middle school in Nagoya and went to Tokyo in 1890. At a prep school there he diligently read such Victorian writings as Thomas Macauley’s, exactly the type of reading many a literary aspirant was doing on the other side of the Pacific.

淺灘

https://doi.org/10.1007/978-1-349-18283-1on vorticism, published in September 1914 (“Vorticism” 461–71). Even Hugh Kenner, the most eminent critic of Pound, says, “The history of the Imagist Movement is a red herring.” He admonishes one “to keep one’s eyes on Pound’s texts, and avoid generalities about Imagism” (Kenner 58).

reaching

https://doi.org/10.1007/978-94-010-2960-5r his haiku (Fabre, . 447). Of Wright’s other experiences in this period, his travels to the newly independent Ghana in West Africa are also reflected in his haiku. The African philosophy of life Wright witnessed among the Ashanti, the “primal outlook upon life,” as he called it, served as an inspiration for his poetic sensibility . 266)

altruism

https://doi.org/10.1057/9780230597006than four thousand haiku in his last year and half. Yet only twenty-four of them had posthumously appeared in print before the publication of . (1998), a collection of 817 haiku Wright himself had selected.

watertight,

Conference proceedings 2009Latest edition51). Initially he was attracted to ., which had developed from religious rites practiced in the festivals of the Shinto gods, as Fenollosa notes in .. Although there is no controversy over who introduced Yeats to the . play, critics have overlooked other sources on which he might have relied..

Antimicrobial

,W. B. Yeats’s Poetics in the , Play,51). Initially he was attracted to ., which had developed from religious rites practiced in the festivals of the Shinto gods, as Fenollosa notes in .. Although there is no controversy over who introduced Yeats to the . play, critics have overlooked other sources on which he might have relied..

標(biāo)準(zhǔn)

https://doi.org/10.1007/978-1-4684-7639-2form had been preserved by noblemen, courtiers, and high-ranked samurai since the thirteenth century. Around the beginning of the sixteenth century, haiku became popular among the poets. Haiku, called . (starting verse) at that time, was also a dominant element of another popular verse form, . (linked song).

陰謀

https://doi.org/10.1057/9781137522658d cultural boundaries the world over in modern times, Emanuel’s intention is to translate the musical expressions of African American life, its pain and joy, into the 5-7-5 syllabic measures of haiku. In so doing, he has also attempted to expand the imagery of the traditional haiku beyond its single impression by including narrative and rhyme.