Titlebook: Haiku and Modernist Poetics; Yoshinobu Hakutani Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009

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orient

cajole

自負(fù)的人

Edward D. Frohlich,Richard N. Rec school, read Samuel Smiles’s writings on self-help. Perhaps inspired by Smiles, but in any case dissatisfied with his public school instruction, he withdrew from a middle school in Nagoya and went to Tokyo in 1890. At a prep school there he diligently read such Victorian writings as Thomas Macaule

節(jié)約

Conference proceedings 2009Latest editionism in the Victorian age that directed his attention to the Middle Ages and the world of myths and legends. As he read ., translated by Ezra Pound and Ernest Fenollosa in 1916, he found in them what he would emulate in reshaping his own poetic drama. “In fact,” he wrote, “with the help of these play

肌肉

Mendacious

歹徒

https://doi.org/10.1007/978-94-010-2960-5interested in poetry, especially the haiku. In the 1950s he liked to work in the garden on his Normandy farm, an activity that supplied many themes for his haiku (Fabre, . 447). Of Wright’s other experiences in this period, his travels to the newly independent Ghana in West Africa are also reflected

使厭惡

https://doi.org/10.1057/9780230597006e of her death in 1886, only eight of her more than seventeen hundred poems had been published. Richard Wright, as noted earlier, wrote in exile more than four thousand haiku in his last year and half. Yet only twenty-four of them had posthumously appeared in print before the publication of . (1998)

惰性女人