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,Poetic Imaginings of the Real Guantánamo (No, Not the Base),mo City bustles with cars, storefronts, and children in red uniforms. The U.S. naval base looms in the distance: it carries the same name but is a world away and far from national and provincial?.?identities. This chapter focuses on the land and local culture of the province. It examines relationshi

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,Poetry and the Enemy’s Arrows: An Interview with José Ramón Sánchez Leyva,as his formation as a poet and his work as?editor of the Cuban literary journal .. Sánchez Leyva discusses his work as a battlefield that was expanded by his knowledge of events that took place within the prison that was established within the base after 9/11. He describes himself as a “guilty victi

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脫離

,Guantánamo in the Eye of the Hurricane,Spanish, it is interspersed with Spanish-languages passages from a 2015 interview that the volume’s editors conducted with the author. These excerpts, which include comments on the chapter and the author’s life and professional inspiration, imbue the work with a dual vocality that derives meaning fr

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