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樓主: 海市蜃樓
31#
發(fā)表于 2025-3-27 00:09:28 | 只看該作者
Hemorrhagic and post-hemorrhagic shock,as his formation as a poet and his work as?editor of the Cuban literary journal .. Sánchez Leyva discusses his work as a battlefield that was expanded by his knowledge of events that took place within the prison that was established within the base after 9/11. He describes himself as a “guilty victi
32#
發(fā)表于 2025-3-27 01:58:34 | 只看該作者
Beric W. Skews,Randall T. Patone U.S. military in the region. The poems explore the writing process and different aspects of life near the naval?base?at Guantánamo Bay, probing the dynamics of questioning and socioeconomic marginalization that mark the lives of many?.. Original English translations are provided for the first?thre
33#
發(fā)表于 2025-3-27 08:07:11 | 只看該作者
,Finding Guantánamo: Freedom, Paradox, and Poetry,ue and awareness. Layering new historical research, readings of cultural texts, and ethnographic observations, it addresses multiple incarnations of Guantánamo: the prison, the U.S. naval base, the Cuban province, and broader configurations that replicate dynamics associated with the bay and the bas
34#
發(fā)表于 2025-3-27 10:16:34 | 只看該作者
The Amen Temple of Empire, It suggests that by returning to the Columbian Exposition, a potent ideological project that reinforced American exceptionalism and propelled the United States toward empire as the twentieth century loomed, we can more fully understand the phenomenon of ‘Guantánamo’ and its particular utility in th
35#
發(fā)表于 2025-3-27 15:05:55 | 只看該作者
36#
發(fā)表于 2025-3-27 18:00:15 | 只看該作者
37#
發(fā)表于 2025-3-28 00:01:46 | 只看該作者
Storytelling and Truth-Telling: Testimonial Narratives in , and ,ma film . (2006) and the verbatim play . (2004). It discusses testimony as a response to the narratives about the camps offered by the U.S. state, more specifically as a means of countering the characterization of prisoners as anonymous, vicious killers who deserve indefinite detention. Finally, it
38#
發(fā)表于 2025-3-28 03:39:45 | 只看該作者
,Guantánamo and Community: Visual Approaches to the Naval Base,ts a cultural site rather than a political and legal one; a borderland where the naval base and eastern Cuba are united both territorially and creatively; and a space of complex conceptual geographies, where Cuba, the Caribbean, the U.S., the Middle East, and Europe converge. Works by photographer E
39#
發(fā)表于 2025-3-28 06:35:17 | 只看該作者
40#
發(fā)表于 2025-3-28 12:01:17 | 只看該作者
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