Titlebook: Gothic Returns in Collins, Dickens, Zola, and Hitchcock; Eleanor Salotto Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2

氣泡

書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock影響因子(影響力)




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock影響因子(影響力)學(xué)科排名




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock網(wǎng)絡(luò)公開度




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock被引頻次




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock被引頻次學(xué)科排名




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock年度引用




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock年度引用學(xué)科排名




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock讀者反饋




書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock讀者反饋學(xué)科排名

中子

嚴厲批評

B-cell

Cultural Relativity in Management Researchostscript in lieu of Preface is one such return. In ., the incineration of a manuscript that reveals the identity of a murderer is another example in which one plot fails to exterminate another and is in turn haunted by it.

Frequency-Range

Management Models for the Future its attempt to wander away from first person narration. The proliferation and contagion of plots and characters point to a covering over of first person narration. In trying to present the unrepresentable, the text creates the multiplot. Whatever first person narration cannot speak, third person na

難管

難管

Gothic Returns in Collins, Dickens, Zola, and Hitchcock

Gesture

GROSS

inhibit

https://doi.org/10.1007/978-1-137-11770-0Charles Dickens; fiction; identity; novel; Victorian era