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Titlebook: Gothic Returns in Collins, Dickens, Zola, and Hitchcock; Eleanor Salotto Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2

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書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock
編輯Eleanor Salotto
視頻videohttp://file.papertrans.cn/388/387431/387431.mp4
圖書封面Titlebook: Gothic Returns in Collins, Dickens, Zola, and Hitchcock;  Eleanor Salotto Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2
描述Looking at the gothic in Victorian fiction, the development of cinema and Hitchcock‘s Vertigo , this book explores the contained or repressed desires of both characters and plots which defy direct representation, resulting in obsession, fetishism and displacement engendering a novel account of the way in which the gothic becomes internalized.
出版日期Book 2006
關(guān)鍵詞Charles Dickens; fiction; identity; novel; Victorian era
版次1
doihttps://doi.org/10.1007/978-1-137-11770-0
isbn_softcover978-1-349-73653-9
isbn_ebook978-1-137-11770-0
copyrightPalgrave Macmillan, a division of Nature America Inc. 2006
The information of publication is updating

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Cultural Relativity in Management Researchostscript in lieu of Preface is one such return. In ., the incineration of a manuscript that reveals the identity of a murderer is another example in which one plot fails to exterminate another and is in turn haunted by it.
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Management Models for the Future its attempt to wander away from first person narration. The proliferation and contagion of plots and characters point to a covering over of first person narration. In trying to present the unrepresentable, the text creates the multiplot. Whatever first person narration cannot speak, third person na
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Gothic Returns in Collins, Dickens, Zola, and Hitchcock
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https://doi.org/10.1007/978-1-137-11770-0Charles Dickens; fiction; identity; novel; Victorian era
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