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Titlebook: Gossip, Women, Film, and Chick Flicks; Sarah-Mai Dang Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Philosophy.Gender.Vis

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發(fā)表于 2025-3-25 06:23:07 | 只看該作者
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發(fā)表于 2025-3-25 13:30:15 | 只看該作者
Gossip as an Organizing Principle of Social Order and Perception,y elaborates on the distinction between the spread of rumors and gossip as a mode of communication. Referring to Marc Siegel’s aesthetic-political approach to gossip and film, Dang proposes gossip as a productive perspective for analyzing chick flicks which emphasize verbal expression, such as . and
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發(fā)表于 2025-3-25 17:12:15 | 只看該作者
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發(fā)表于 2025-3-26 03:18:46 | 只看該作者
A Matter of Perspective,perception in order to relate to the world and oneself and at the same time demonstrate how gossip works as a mechanism of power that creates and structures society. Dang argues that the films present gossip as a way of viewing the world based on a specific relationship between an “I” and a “we.” Th
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發(fā)表于 2025-3-26 09:57:12 | 只看該作者
https://doi.org/10.1007/978-3-663-04988-3s Aires. By focusing on the intersection of the said markers, Traci Roberts-Camps’s chapter seeks to shed light on two issues: how the diverse facets of the protagonists’ identities are interrelated and how those who victimise them take advantage of special institutional and societal power structures.
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