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Titlebook: Gossip, Women, Film, and Chick Flicks; Sarah-Mai Dang Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Philosophy.Gender.Vis

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樓主
發(fā)表于 2025-3-21 19:40:50 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Gossip, Women, Film, and Chick Flicks
編輯Sarah-Mai Dang
視頻videohttp://file.papertrans.cn/388/387415/387415.mp4
概述focuses on subject matters of gossip and chick flicks, which are mostly disregarded and yet undertheorized.shows that gossip is a productive perspective for analyzing chick flicks which emphasize verb
圖書封面Titlebook: Gossip, Women, Film, and Chick Flicks;  Sarah-Mai Dang Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Philosophy.Gender.Vis
描述This book addresses the relationship between gossip, women, and film with regards to the genre of chick flicks. Presenting two case studies on the films .Easy A .(Will Gluck 2010).?.and .Emma?.(Douglas McGrath 1996), Dang demonstrates that hearsay plays a defining role in the staging of these films and thus in the film experience. While the lack of women’s voices in the general public sphere remains an issue, the female voice is very present in the contemporary woman’s film. In its analysis of gossip, this book focuses on a form of communication that has traditionally been assigned to women and is consequently disregarded. Dang provides a theoretical framework for the understanding of speech acts in the popular, yet undertheorized, genre of chick flicks..
出版日期Book 2017
關(guān)鍵詞Philosophy; Gender; Visual Pleasure; Genre; Film Theory; Feminism; Woman’s Film; Film Experience; Aesthetics
版次1
doihttps://doi.org/10.1057/978-1-137-56018-6
isbn_ebook978-1-137-56018-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:49:56 | 只看該作者
板凳
發(fā)表于 2025-3-22 00:29:22 | 只看該作者
New Jobs or Technological Unemployment?,he relations between individuals and groups. This chapter demonstrates how gossip as a collective and participatory practice of subjective imagination produces strong bonds and a sense of belonging based on gender categories.
地板
發(fā)表于 2025-3-22 08:31:17 | 只看該作者
Tojo Thatchenkery,Keimei Sugiyamarformative dimension of gossip, her analysis of . focuses on the speculative and normative functions of gossip. In addition, this chapter focuses on the subject of dance as an organizing social principle and analyzes the relation between the female protagonist and the community.
5#
發(fā)表于 2025-3-22 11:37:46 | 只看該作者
Introduction,6) or . (USA 2010, Will Gluck) and thus for the (female) spectator. In this study, Dang does not only look at how gossip is staged in these films, but incorporates gossip as well as a theoretical model to analyze chick flicks.
6#
發(fā)表于 2025-3-22 15:18:54 | 只看該作者
,,—“A is for Awesome”,he relations between individuals and groups. This chapter demonstrates how gossip as a collective and participatory practice of subjective imagination produces strong bonds and a sense of belonging based on gender categories.
7#
發(fā)表于 2025-3-22 19:47:38 | 只看該作者
,,—“A Match Well Made, a Job Well Done”,rformative dimension of gossip, her analysis of . focuses on the speculative and normative functions of gossip. In addition, this chapter focuses on the subject of dance as an organizing social principle and analyzes the relation between the female protagonist and the community.
8#
發(fā)表于 2025-3-23 00:53:25 | 只看該作者
9#
發(fā)表于 2025-3-23 03:11:00 | 只看該作者
perspective for analyzing chick flicks which emphasize verbThis book addresses the relationship between gossip, women, and film with regards to the genre of chick flicks. Presenting two case studies on the films .Easy A .(Will Gluck 2010).?.and .Emma?.(Douglas McGrath 1996), Dang demonstrates that
10#
發(fā)表于 2025-3-23 07:28:51 | 只看該作者
An Incomes Policy to Help the Unemployed,roach to gossip and film, Dang proposes gossip as a productive perspective for analyzing chick flicks which emphasize verbal expression, such as . and . In addition, she explains why these films are also well suited for understanding gossip as a theoretical film category and more generally for reflecting on gossip as a social practice.
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