Titlebook: Globalization and Latin American Cinema; Toward a New Critica Sophia A. McClennen Book 2018 The Editor(s) (if applicable) and The Author(s)

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Kompendium der Balneologie und Kurortmedizin who have each followed slightly different trajectories, but have all taken up themes of violence and political “hunger.” One key question will be the extent to which these filmmakers simply produce poverty porn for a global audience or progressive films that provoke meaningful dialogue and debate a

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Brazil who have each followed slightly different trajectories, but have all taken up themes of violence and political “hunger.” One key question will be the extent to which these filmmakers simply produce poverty porn for a global audience or progressive films that provoke meaningful dialogue and debate a

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2730-9282 ries., and .Children of Men. this book argues that neoliberal globalization has created a highly ambivalent space for cultural expression, one willing to market against itself as long as the stories sell. The r978-3-030-09621-2978-3-319-57060-0Series ISSN 2730-9282 Series E-ISSN 2730-9290

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Allgemeine Informationen zu Interventionenolitical or social significance. The goal is to understand how the neoliberal market has changed the funding structures for films and to analyze the impact those shifts have had on their content, audience access, and reception. At stake are the ethical implications of these new funding models and th

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Christian R. Krestan,Manfred Greitbauermpact of a film. It becomes an even more central concern when we recognize that only about half of all Latin American films produced are ever distributed. This chapter traces the way that 1990s market practices affect distribution in the region. While the dominance of Hollywood remains relatively st

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Stellenwertsysteme und die Zahl the intricacies of trade agreements and market fluctuations. The story of exhibition in Latin America reveals a number of tensions central to the story of capitalism and the culture industry. This chapter examines changes due to market liberalization and privatization, where states cease to regulat

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Die Krankheiten des Auges Die Augenlider,he ways that the films from this period intersect with some of the central tenets of New Latin American Cinema’s notion of political film—especially since two of its key figures (Octavio Getino and Fernando Solanas) remained active during the period. And it also analyzes the different ways filmmaker