| 書(shū)目名稱 | Globalization and Latin American Cinema | | 副標(biāo)題 | Toward a New Critica | | 編輯 | Sophia A. McClennen | | 視頻video | http://file.papertrans.cn/387/386878/386878.mp4 | | 概述 | Offers an exciting new way of thinking about national and regional cinemas through a bravura blend of political economy, policy analysis, and international cultural studies.Mixes discourses and method | | 叢書(shū)名稱 | Palgrave Studies in Globalization, Culture and Society | | 圖書(shū)封面 |  | | 描述 | Studying the case of Latin American cinema, this book analyzes one of the most public - and most exportable- forms of postcolonial national culture to argue that millennial era globalization demands entirely new frameworks for thinking about the relationship between politics, culture, and economic policies. Concerns that globalization would bring the downfall of national culture were common in the 1990s as economies across the globe began implementing neoliberal, free market policies and abolishing state protections for culture industries. Simultaneously, new technologies and the increased mobility of people and information caused others to see globalization as an era of heightened connectivity and progressive contact. Twenty-five years later, we are now able to examine the actual impact of globalization on local and regional cultures, especially those of postcolonial societies. Tracing the full life-cycle of films and studying blockbusters like. City of God., .Motorcycle Diaries., and .Children of Men. this book argues that neoliberal globalization has created a highly ambivalent space for cultural expression, one willing to market against itself as long as the stories sell. The r | | 出版日期 | Book 2018 | | 關(guān)鍵詞 | globalization; national culture; 1990s; economies; neoliberal; free market policies; new technologies; cult | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-57060-0 | | isbn_softcover | 978-3-030-09621-2 | | isbn_ebook | 978-3-319-57060-0Series ISSN 2730-9282 Series E-ISSN 2730-9290 | | issn_series | 2730-9282 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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