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Titlebook: Global Perspectives on Korean Literature; Wook-Dong Kim Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licence

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樓主: industrious
21#
發(fā)表于 2025-3-25 04:39:28 | 只看該作者
orean version of the King Midas and his ass’s ears tale in tThis book explores Korean literature from a broadly globalperspectivefrom the mid-9th century to the present, with specialemphasis on how ithas been influenced by, as well as it hasinfluenced, literatures ofother nations. Beginning with the
22#
發(fā)表于 2025-3-25 09:19:01 | 只看該作者
Finanzmathematische Grundlagen,ng the missionary novel, the Bildungsroman, the novel of manners, the feminist novel, and self-reflexive metafiction. Overall, this chapter sheds some light not only on how one of the first English language novels about Korea was written at the turn of the century Korea but also on how the book can be seen as a protean novelistic genre.
23#
發(fā)表于 2025-3-25 11:43:57 | 只看該作者
24#
發(fā)表于 2025-3-25 18:22:40 | 只看該作者
https://doi.org/10.1007/978-3-662-01092-1mbiguous in one way or another. This chapter also discusses the extent to which Kang’s encounter with Wolfe exerted a major impact on his literary career as a whole. It further identifies similarities and differences between Wolfe and Kang.
25#
發(fā)表于 2025-3-25 23:36:23 | 只看該作者
Investitionstheorie aus der Sicht des Zinses ways. The principal reasons for fictionalizing his life were two-fold: first, to disguise his identity as a Chinese national because he had participated in the Korean Independent Movement and then been hunted by the Japanese police and to amuse the American readers for better sales of the book.
26#
發(fā)表于 2025-3-26 02:55:12 | 只看該作者
27#
發(fā)表于 2025-3-26 08:23:46 | 只看該作者
28#
發(fā)表于 2025-3-26 12:29:14 | 只看該作者
29#
發(fā)表于 2025-3-26 13:56:17 | 只看該作者
30#
發(fā)表于 2025-3-26 20:10:54 | 只看該作者
Der Kapitalwert einer Investition,the political scene in Korea in the 1960s. In addition, it examines how the earlier version of this play was performed in the United States in 1964 and how the final version was later translated into Korean and put on stage in Seoul in 1974.
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