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Titlebook: Global Perspectives on Korean Literature; Wook-Dong Kim Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licence

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書(shū)目名稱(chēng)Global Perspectives on Korean Literature
編輯Wook-Dong Kim
視頻videohttp://file.papertrans.cn/387/386477/386477.mp4
概述Explores Korean literature from a broadly global perspective from the mid-9th century to the present.Examines key Korean works such as the Korean version of the King Midas and his ass’s ears tale in t
圖書(shū)封面Titlebook: Global Perspectives on Korean Literature;  Wook-Dong Kim Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licence
描述This book explores Korean literature from a broadly globalperspectivefrom the mid-9th century to the present, with specialemphasis on how ithas been influenced by, as well as it hasinfluenced, literatures ofother nations. Beginning with the Koreanversion of the King Midas andhis ass’s ears tale in the Silla dynasty,it moves on to discuss .Ewa.,what might be called the firstmissionary novel about Korea written by aWestern missionary W. ArthurNoble. The book also considers the extentto which in writing fictionand essays Jack London gained grist for hiswriting from his experiencein Korea as a Russo-Japanese Warcorrespondent. In addition, the bookexplores how modern Korean poetry,fiction, and drama, despitedifferences in time and space, have activelyengaged with Westerncounterparts. Based on World Literature, which hasgained slow butprominent popularity all over the world, this bookargues that Koreanliterature deserves to be part of the Commonwealth ofLetters..
出版日期Book 2019
關(guān)鍵詞Korean Literature and the Commonwealth of Letters; East Asian Literature; World Literature and Korean
版次1
doihttps://doi.org/10.1007/978-981-13-8727-2
isbn_softcover978-981-13-8729-6
isbn_ebook978-981-13-8727-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Singapor
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,Gunsam Lee’s , as a Tragedy,agedy rather than a playwright of comedy, as he has been commonly regarded. The play Lee wrote in English in the United States in 1958 clearly shows that he was interested in tragedy, at least in his earliest career as a playwright. Even his later plays are strongly tinged with a tragic sense of lif
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