Titlebook: Global Iconoclasm: Contesting “Official” Mnemonic Landscapes; Michael Ripmeester,Matthew W. Rofe Book 2024 The Editor(s) (if applicable) a

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Fires and Insect Pest Management,nterviews and observations at the Tsunami Museum, the chapter argues that the museum has emerged as a new symbol representing Banda Aceh as a disaster area. However, this museum is selective in its representation, forgetting other key defining aspects of Banda Ache’s history, particularly memories o

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The Three Paradoxes of Innovation Security,eum tours, the fact that a work of art was above all a material, perishable fact was seemingly overshadowed. Indeed, the entire cultural system was undergoing a sort of generalized theft of its material concreteness. Simultaneously, the Black Lives Matter protests, as represented by decapitated stat

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Is Work Being De-standardised?,nscape. Memorials can be open-ended and allow for multiple interpretations of both their forms and symbolic content. This research will be focused on the transformation of Sarajevo’s post-war urbanscape, that resulted from the war in Bosnia and Herzegovina (1992–1996) and influenced the redefinition

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https://doi.org/10.1007/978-3-663-15918-6rines is a small city in central Ontario. A monument—dedicated to a local man who died while serving with serving with the Canadian Army during the Northwest Resistance of 1885—stands in front of City Hall. The conflict began when Métis and First Nations communities of unceded prairie lands defended

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