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Titlebook: Give Peace a Chant; Popular Music, Polit Dario Martinelli Book 2017 Springer International Publishing AG 2017 Popular Music.Protest Songs.S

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樓主: 阿諛奉承
21#
發(fā)表于 2025-3-25 05:51:55 | 只看該作者
22#
發(fā)表于 2025-3-25 10:10:56 | 只看該作者
Songs of Social Protest and Context, context-positioning in an SSP. Re-elaborating from Stefani (.. FuoriThema, Bologna, .), I suggest five different types of relations between an SSP and the context/occasion it is performed in or conceived for: “Specific relation”, “Indirect relation”, “General relation”, “Phatic relation” and “Parat
23#
發(fā)表于 2025-3-25 14:38:37 | 只看該作者
24#
發(fā)表于 2025-3-25 17:06:29 | 只看該作者
Songs of Social Protest and Music,ions, catchy melody, etc., usually found in genres like country, world, blues, and various singer-songwriters schools), (ii) Solemn (mainstream, pop quality, lavish arrangements and big productions, typical of charity events); (iii) Aggressive (usually emerging from the underground/alternative scene
25#
發(fā)表于 2025-3-25 23:13:42 | 只看該作者
26#
發(fā)表于 2025-3-26 00:58:43 | 只看該作者
Case Study 2: The Lithuanian Singing Revolution and the Case of Antis,iet domination, with a focus on the case of Lithuania, and one of the leading bands of the period, Antis. I would like to look at this topic from two angles: the lyrical-musical one, in accordance to the analytical modes developed in this book, but also—so to speak—the institutional one, particularl
27#
發(fā)表于 2025-3-26 05:50:36 | 只看該作者
28#
發(fā)表于 2025-3-26 09:44:56 | 只看該作者
29#
發(fā)表于 2025-3-26 14:47:03 | 只看該作者
30#
發(fā)表于 2025-3-26 16:59:03 | 只看該作者
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