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Titlebook: Give Peace a Chant; Popular Music, Polit Dario Martinelli Book 2017 Springer International Publishing AG 2017 Popular Music.Protest Songs.S

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發(fā)表于 2025-3-21 16:57:14 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Give Peace a Chant
副標題Popular Music, Polit
編輯Dario Martinelli
視頻videohttp://file.papertrans.cn/386/385799/385799.mp4
概述Offers a unique analysis of social protest in popular music.Focuses on the contextualization of protest songs as well as their lyrical and musical contents.Challenges the traditional Anglo-American-ce
圖書封面Titlebook: Give Peace a Chant; Popular Music, Polit Dario Martinelli Book 2017 Springer International Publishing AG 2017 Popular Music.Protest Songs.S
描述.This monograph offers a unique analysis of social protest in popular music. It presents theoretical descriptions, methodological tools, and an approach that encompasses various fields of musicology, cultural studies, semiotics, discourse analysis, media studies, and political and social sciences.?..The author argues that protest songs should be taken as a musical genre on their own. He points out that the general approach, when discussing these songs, has been so far that of either analyzing the lyrics or the social context. For some reason, the music itself has been often overlooked...This book attempts to fill this gap. Its central thesis is that a complete overview of these repertoires demands a thorough interaction among contextual, lyrical, and musical elements together. To accomplish this, the author develops a novel model that systemizes and investigates musical repertoires. The model is then applied to four case studies, those, too, chosen among topicsthat are little (or not at all) frequented by scholars.. .
出版日期Book 2017
關鍵詞Popular Music; Protest Songs; Singing Revolution; Lithuania; Resistance; Dario Martinelli; Sociomusicology
版次1
doihttps://doi.org/10.1007/978-3-319-50538-1
isbn_softcover978-3-319-84423-7
isbn_ebook978-3-319-50538-1
copyrightSpringer International Publishing AG 2017
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沙發(fā)
發(fā)表于 2025-3-22 00:08:39 | 只看該作者
板凳
發(fā)表于 2025-3-22 03:30:56 | 只看該作者
地板
發(fā)表于 2025-3-22 05:36:46 | 只看該作者
https://doi.org/10.1007/978-3-211-69303-2s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.
5#
發(fā)表于 2025-3-22 10:36:58 | 只看該作者
Songs of Social Protest and Music, of single authors or genres, an explicit refusal for categorizations, or songs that simply elude any of the previous four types). The chapter is concluded with a summary of the whole model presented in the first four chapters of the book.
6#
發(fā)表于 2025-3-22 15:02:20 | 只看該作者
Case Study 1: On the Left-Right Dichotomy and Its Musical Manifestations,s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.
7#
發(fā)表于 2025-3-22 21:04:07 | 只看該作者
8#
發(fā)表于 2025-3-23 00:32:48 | 只看該作者
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發(fā)表于 2025-3-23 05:06:52 | 只看該作者
NATO’s Deterrence and Détente Effortsetween American jazz and Italian melodic tradition, which produced some of the most famous acts of the period. One of these, Alberto Rabagliati, shall be the main focus of this case study, as one of his songs—I shall argue here—carried a subtle yet clear statement of protest against the regime’s restrictions.
10#
發(fā)表于 2025-3-23 05:33:19 | 只看該作者
Definitions and Categorizations,t just lyrical) classification. After that, the chapter introduces the triadic theoretical model that will be thoroughly discussed in Chaps.?.,?. and?., and which constitutes the main analytical novelty proposed in this book: context-lyrics-music.
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