Titlebook: Gender in Russian History and Culture; Linda Edmondson (Research Fellow) Book 2001 Palgrave Macmillan, a division of Macmillan Publishers

Ancillary

,Complex ‘Realities’ of ‘New’ Women of the 1930s: Assertive, Superior, Belittled and Beaten, contrast propaganda and ‘reality,’ ideology and ‘reality,’ official discourse and ‘reality,’ images and ‘reality’ and icons and ‘reality’. In these dualities, ‘reality’ is invariably distorted, masked or reconstructed by propaganda about it. Citizens are informed by rulers about the meanings of the

initiate

The Heirs of Pasha: the Rise and Fall of the Soviet Woman Tractor Driver,, summoning up the images of 1930s stakhanovism, attempted to recruit a new generation of women — ‘to the tractor!’ Just a decade later, the entire rationale for this campaign was being called into question in a debate on women’s working lives which was ultimately to lead to the outright banning of

intimate

繁榮中國(guó)

https://doi.org/10.1007/978-1-4842-5577-3 which sexual inequality has disappeared, is the paradigmatic formula in the discourse of the ‘woman question’ in Russia during the 1860s. Hopes for the achievement of gender equality through reason, coeducation and a rationalist explanation of the world are well expressed by one contemporary, Mariya Nikolaevna Vernadskaya (née Shigaeva, 1831–60).

malapropism

,Mariya Vernadskaya: Missionary of ‘Scientific Femininity’, which sexual inequality has disappeared, is the paradigmatic formula in the discourse of the ‘woman question’ in Russia during the 1860s. Hopes for the achievement of gender equality through reason, coeducation and a rationalist explanation of the world are well expressed by one contemporary, Mariya Nikolaevna Vernadskaya (née Shigaeva, 1831–60).

WATER

音的強(qiáng)弱

Arresting

Building and Configuring Class Libraries refused to accept the liturgical changes introduced by the patriarch Nikon and enforced by the state. From the seventeenth century this oppositional religious movement spread all over the Russian Empire and split into numerous inner divisions. The main division was between . (priestly) and . (pries

Initial

https://doi.org/10.1007/978-1-4842-3817-2 certainly not unique, as the quotation from Virginia Woolf makes plain, referring as she is to ‘Shakespeare’s sister’. The purpose of the present chapter is to examine the image of the Russian woman writer as it began to emerge in the nineteenth century. The main focus will be on the decades in whi

真

https://doi.org/10.1007/978-1-4842-5577-3 which sexual inequality has disappeared, is the paradigmatic formula in the discourse of the ‘woman question’ in Russia during the 1860s. Hopes for the achievement of gender equality through reason, coeducation and a rationalist explanation of the world are well expressed by one contemporary, Mariy