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Titlebook: Gender and Representation in British ‘Golden Age’ Crime Fiction; Megan Hoffman Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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發(fā)表于 2025-3-21 18:28:23 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Gender and Representation in British ‘Golden Age’ Crime Fiction
編輯Megan Hoffman
視頻videohttp://file.papertrans.cn/382/381659/381659.mp4
叢書(shū)名稱Crime Files
圖書(shū)封面Titlebook: Gender and Representation in British ‘Golden Age’ Crime Fiction;  Megan Hoffman Book 2016 The Editor(s) (if applicable) and The Author(s) 2
描述.This book.?.provides an original and compelling analysis of the ways in which British women’s golden age crime narratives negotiate the conflicting social and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Sayers and Margery Allingham, but also those who have received comparatively little, such as Christianna Brand, Ngaio Marsh, Gladys Mitchell, Josephine Tey and Patricia Wentworth. Through its original readings, this book explores the ambivalent nature of modes of femininity depicted in golden age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts..
出版日期Book 2016
關(guān)鍵詞women; femininity; detective; Agatha Christie; Dorothy Sayers; pop culture; sleuth; gender studies; British
版次1
doihttps://doi.org/10.1057/978-1-137-53666-2
isbn_ebook978-1-137-53666-2Series ISSN 2947-8340 Series E-ISSN 2947-8359
issn_series 2947-8340
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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A Joint Venture?: Love, Partnership and Marriage,, Ngaio Marsh’s Roderick Alleyn and Agatha Troy and Agatha Christie’s Tommy and Tuppence Beresford in order to explore how—and if—the ‘gap’ that exists between actively equal partnership and domesticity is negotiated in golden age crime narratives. This chapter also posits that within these couples
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2947-8340 age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts..978-1-137-53666-2Series ISSN 2947-8340 Series E-ISSN 2947-8359
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Gender and Representation in British ‘Golden Age’ Crime Fiction
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