Titlebook: Gender and Representation in British ‘Golden Age’ Crime Fiction; Megan Hoffman Book 2016 The Editor(s) (if applicable) and The Author(s) 2

convulsion

清醒

https://doi.org/10.1007/978-3-322-92613-5fman argues that the bodies of women killers and victims in these texts are occasions of confusion, disguise and deception, emphasising both a disruption of social order and the instability of class and gender stereotypes.

裙帶關(guān)系

Euphonious

征稅

Nuance

表兩個(gè)

antenna

Book 2016ocial and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Saye

Metastasis

https://doi.org/10.1057/978-1-137-59298-9s of women’s bodies, in the works of British golden age women crime writers including Margery Allingham, Christianna Brand, Agatha Christie, Ngaio Marsh, Gladys Mitchell, Dorothy L. Sayers, Josephine Tey and Patricia Wentworth.

Tortuous