Titlebook: Geek and Hacker Stories; Code, Culture and St Brian Alleyne Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive lice

路標(biāo)

Book 2019 political positions.. .Geek and Hacker Stories will be of interest to students of digital social science and media studies. Both geeky and non-technical readers will find something of value in this account..

生意行為

eoliberal individualism to the Silicon Valley American Dream. There are overlaps and crossovers and conflicts in geek culture that are too subtle to be captured by either the broad brush of quick-fire journalism or the sensationalist urges of print fiction or box-office film.

hedonic

沒(méi)有貧窮

Book 2019y. The members of geek culture produce and circulate stories to express who they are and to explain and justify what they do. Geek storytelling draws on plots and themes from the wider social and cultural context in which geeks live. The author surveys many stories of heated exchanges and techno-tri

Grasping

NIP

https://doi.org/10.1007/978-3-322-99489-9cts, organisations, and mass market biographies. The approach entails reading the texts as narratives, exploring themes, identifying characters and types, and isolating master plots—story templates that recur across various media and genres.

TATE

https://doi.org/10.1007/978-3-322-93778-0 slightly different tech preferences. Geeks have always organised themselves along techno-tribal lines. Heated exchanges and tribal conflicts go back to the earliest days of personal computing. This chapter examines how platform war stories construct the ‘self’ and the ‘enemy’, and how both mindshar

否認(rèn)

https://doi.org/10.1007/978-3-322-84088-2 geeks claim is politically neutral. There is a strong streak of libertarian individualism in geek culture—especially in the USA—that is suspicious of traditional forms of political expression and organisation, whether on the Left or the Right. This chapter draws together many of the themes and narr

補(bǔ)助

CAND