Titlebook: E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture; Nilgun Bayraktar,Alberto Godioli Book 2024 The Editor(s) (if

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Perspektiven der Hochschuldidaktikicitly assumed in the theories, and (c) on how these approaches relate to defamiliarisation. The present contribution then suggests a broader . treatment of aesthetic negativity, with a view to existing synergies with narratology, and discusses to what extent such a concept could successfully circum

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https://doi.org/10.1007/978-3-322-92573-2 . (Yabanc? 2004–2006) by the Turkish artist Nilbar Güres? which explores how strangeness and defamiliarization can be deployed as critical tools for making a feminist, postcolonial, and performative intervention into the space of Europe and its discriminatory default positioning.

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the ‘familiar’ in relation to populism, migration and the cl.Variously translated as “estrangement,” “enstrangement” or “defamiliarization,” Viktor Shklovsky’s concept of .ostranenie. is more relevant than ever. This collection offers new insights into the theories and practices of .ostranenie. acro

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https://doi.org/10.1007/978-3-531-92218-8 of estrangement. These three angles have shaped Alaa Minawi’s art practice. In this chapter, Minawi reflects on the role of defamiliarization in his work and on how the Soviet Russian theater practitioner Konstantin Stanislavski’s acting method, “inside-out,” has become an inspiration to structure his own working methods.

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