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Titlebook: E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture; Nilgun Bayraktar,Alberto Godioli Book 2024 The Editor(s) (if

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書(shū)目名稱E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture
編輯Nilgun Bayraktar,Alberto Godioli
視頻videohttp://file.papertrans.cn/321/320412/320412.mp4
概述Sheds new light on defamiliarization across different languages and media, from novels to memes.Explores the interplay of the ‘strange’ and the ‘familiar’ in relation to populism, migration and the cl
圖書(shū)封面Titlebook: E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture; Nilgun Bayraktar,Alberto Godioli Book 2024 The Editor(s) (if
描述.Variously translated as “estrangement,” “enstrangement” or “defamiliarization,” Viktor Shklovsky’s concept of .ostranenie. is more relevant than ever. This collection offers new insights into the theories and practices of .ostranenie. across various languages and cultures, with a particular focus on the 20th and 21st centuries. Our current era is marked by a dramatic redefinition of the normal and the strange, the familiar and the weird. The rise of far-right populism has increasingly normalized xenophobic and nativist stances previously confined to the fringes of the political spectrum. Additionally, the climate crisis has led to the ongoing renegotiation of the concepts of normalcy and emergency amid widespread efforts to adapt to the “new (ab)normal.” Exploring defamiliarization provides a unique perspective to comprehend and question these processes and their profound cultural implications...Focusing on?.ostranenie.?also offers valuable insights into how aesthetic forms serve a political function. Defamiliarization can take on various forms, including retro-futuristic dystopias, stylized films, and darkly humorous cartoons and memes. It can be an effective tool for political a
出版日期Book 2024
關(guān)鍵詞aesthetic disruption; aesthetic practice; Uncanny; Critical Dystopia; dark humor; unfamiliar; cultural sam
版次1
doihttps://doi.org/10.1007/978-3-031-60859-9
isbn_softcover978-3-031-60861-2
isbn_ebook978-3-031-60859-9
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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https://doi.org/10.1007/978-3-322-86655-4onger be described in terms of Freud’s concept of the .: While the . remains within the opposition of the familiar and the unfamiliar, the weird and the eerie represent experiences of radical strangeness that are beyond the familiar. This chapter focuses on these new types of radical strangeness. It
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Perspektiven der Hochschuldidaktikelated core discourses on . throughout the twentieth century and outlines ways in which these discourses could be integrated into a new transmedial theory framework. The idea that works of film, literature and art provide readers and viewers with “constitutive gaps”—to be “filled” by the recipient,
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https://doi.org/10.1007/978-3-658-28282-0defamiliarization/familiarization dynamics in the Discourse-Knowledge Interface (DKI), namely, according to Van Dijk, the construction of symbolic capital. These complex dynamics will be discussed considering four inter-related theoretical frameworks, i.e., the Threshold Concepts Theory (TCT), the R
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