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Titlebook: Experimental Dance and the Somatics of Language; Thinking in Micromov Megan V. Nicely Book 2023 The Editor(s) (if applicable) and The Autho

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31#
發(fā)表于 2025-3-26 21:47:10 | 只看該作者
32#
發(fā)表于 2025-3-27 04:36:32 | 只看該作者
The Micropolitics of Micromovement, transformation occurs. Somatic educator and philosopher Elizabeth Behnke refers to micromovements as “ongoing kinesthetic holding patterns” (1997: 191). She understands them as types of “inner vectors or tendencies toward movement” that persist in the body, often unconsciously (181). Patterns of te
33#
發(fā)表于 2025-3-27 05:32:40 | 只看該作者
Interval: Trisha Brown and the Space Between Words,e and numbered each corner and the midpoints as well as top, bottom, and center, creating a total of twenty-seven points. She then took the English alphabet and assigned each letter a number in order, 1–26. Using several autobiographical sentences, she matched the numbers to the letters to create a
34#
發(fā)表于 2025-3-27 11:38:27 | 只看該作者
35#
發(fā)表于 2025-3-27 14:13:27 | 只看該作者
,Adaptation: Deborah Hay and “Call It That”,siki and Pichaud [2016] 2019: 95 n. 29). Her choreography comprises written scores that can only be danced to the extent that a performer is willing and able to suspend their habitual dance and performance training, ask questions of themselves and their perception while moving, and release any inten
36#
發(fā)表于 2025-3-27 18:59:00 | 只看該作者
Language as Agent: Doing and Allowing, activates sensations inside a performer’s body, rather than as the materialization of the author/speaker’s thinking. In these practices, language moves through a performer’s body to spark thinking, which is further informed by particular movement techniques and choreographic directives to realize a
37#
發(fā)表于 2025-3-27 22:17:09 | 只看該作者
,Movement’s Return: Sensations in Context,udents and I circulate to begin our warmup, the room becomes electric, infused with possibility. We devour space and interact without hesitation, albeit at some distance; the sensations of movement are amplified in contrast to the more limited motion of the past eighteen months. We are diverted and
38#
發(fā)表于 2025-3-28 03:46:22 | 只看該作者
Li Yuer Protagonistin, die Krankheit hinter sich zu lassen. Durch die Fokussierung auf die jugendlichen Entwicklungsphasen gelingt der Netflix-Produktion eine wirklichkeitsnahe Darstellung der Krebsthematik bei Kindern und Jugendlichen.
39#
發(fā)表于 2025-3-28 07:12:03 | 只看該作者
SEMG-Based Prosthetic Hand with?an?Integrated Mobile Applicationroviding a satisfactory range of motion for each finger. The evaluation process also indicates the algorithm’s ability to predict hand gestures, although its performance may not be on par with state-of-the-art models. Nevertheless, considering the limited number of sensors used, the achieved accurac
40#
發(fā)表于 2025-3-28 12:28:58 | 只看該作者
https://doi.org/10.1007/978-3-319-16778-7Human Rights of Prisoners; Inmates Rights; Prison and Rehabilitation; Religion and Spirituality in Pris
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