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Titlebook: Experimental Dance and the Somatics of Language; Thinking in Micromov Megan V. Nicely Book 2023 The Editor(s) (if applicable) and The Autho

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書目名稱Experimental Dance and the Somatics of Language
副標(biāo)題Thinking in Micromov
編輯Megan V. Nicely
視頻videohttp://file.papertrans.cn/319/318816/318816.mp4
概述Draws on embodied research in American postmodern dance and Japanese butoh.Investigates how dance bodies work with the micromovements elicited by language’s affective forces.Speaks to the choreographi
叢書名稱New World Choreographies
圖書封面Titlebook: Experimental Dance and the Somatics of Language; Thinking in Micromov Megan V. Nicely Book 2023 The Editor(s) (if applicable) and The Autho
描述.This book is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is .felt., both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium. .
出版日期Book 2023
關(guān)鍵詞Choreography; Experimental Dance; Pedagogy; Somatics; Gilles Deleuze; Félix Guattari; Affect Theory; Philos
版次1
doihttps://doi.org/10.1007/978-3-031-30296-1
isbn_softcover978-3-031-30298-5
isbn_ebook978-3-031-30296-1Series ISSN 2730-9266 Series E-ISSN 2730-9274
issn_series 2730-9266
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Generation Praktikum Revisited,om tape music and sonic poetry to graphical word art and experimental writing; and in forms like scores, drawings, prompts, cues, notes, texts, and words spoken during performance, language provided inspiration for composition and action.
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https://doi.org/10.1007/978-3-658-29530-1make eye contact above facemasks. Our feet make audible sounds on the floor as heels and toes land and take off and gravity acts on our bodies. We are both quick and slow as the kinetic flow of energy suspends us in this shared condition of movement’s return.
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Language as Agent: Doing and Allowing,om tape music and sonic poetry to graphical word art and experimental writing; and in forms like scores, drawings, prompts, cues, notes, texts, and words spoken during performance, language provided inspiration for composition and action.
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,Movement’s Return: Sensations in Context,make eye contact above facemasks. Our feet make audible sounds on the floor as heels and toes land and take off and gravity acts on our bodies. We are both quick and slow as the kinetic flow of energy suspends us in this shared condition of movement’s return.
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