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Titlebook: Existentialist Cinema; William C. Pamerleau Book 2009 William C. Pamerleau 2009 cinema.Federico Fellini.film.Friedrich Nietzsche.philosoph

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樓主: negation
21#
發(fā)表于 2025-3-25 06:05:57 | 只看該作者
22#
發(fā)表于 2025-3-25 11:00:36 | 只看該作者
Film as a Tool for Philosophical Investigationhilosophical enterprise, there are certainly other means of conveying existentialist insights. For example, philosophers like Sartre, Camus, and Marcel wrote plays and novels with existentialist themes. Non-philosophers have also written works of fiction that have been described as existentialist; D
23#
發(fā)表于 2025-3-25 14:13:20 | 只看該作者
24#
發(fā)表于 2025-3-25 19:39:26 | 只看該作者
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發(fā)表于 2025-3-25 21:17:09 | 只看該作者
26#
發(fā)表于 2025-3-26 02:19:51 | 只看該作者
Rethinking Raskolnikov: Exploring Contemporary Ethical Challenges in the Films of Woody Allenined that a film’s narrative is the other important way in which films contribute to our understanding. That is, often (perhaps usually) a film’s insights into the human condition is conveyed primarily through the story. While Antonioni’s cinema is an example of how narratives can be relatively insi
27#
發(fā)表于 2025-3-26 05:01:53 | 只看該作者
28#
發(fā)表于 2025-3-26 12:14:48 | 只看該作者
The Nietzschean Free Spirit in , and ,out their description of the human condition and what they have missed or failed to take fully into account. What they seem to have missed most is the impact of the social world and life circum-stances on the emergence of a free, authentic self. This is a criticism of existentialism in general that
29#
發(fā)表于 2025-3-26 15:57:47 | 只看該作者
Conclusionithout their problems. The films discussed in this book often complicate or discredit some of the views of the major philosophers; and this is particularly true of two core elements of existentialism: freedom and individuality.
30#
發(fā)表于 2025-3-26 17:35:37 | 只看該作者
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