找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956; Julie Kalman,Ben Wellings,Keshia Jacotine

[復制鏈接]
查看: 18393|回復: 43
樓主
發(fā)表于 2025-3-21 18:48:29 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956
編輯Julie Kalman,Ben Wellings,Keshia Jacotine
視頻videohttp://file.papertrans.cn/318/317166/317166.mp4
概述Highlights the Eurovision Song Contest as a space for exploring ideals of Europe.Analyses the tensions between commonality and diversity in Europe.Explores the role of culture and identity in post-war
圖書封面Titlebook: Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956;  Julie Kalman,Ben Wellings,Keshia Jacotine
描述This book uses the Eurovision Song Contest (ESC), as an analytical entry point to understand and illuminate post-War Europe and the drive to create an identity that can legitimise the European project in its broadest sense. The ESC presents an idealised vision of Europe, and this has long existed in a strained relationship with reality. While the trajectory of post-war European integration is a high-profile topic, we believe that the ESC offers a unique and innovative way to think about the role of culture in the history of post-War European integration and tensions between the ideal and reality of European unity.?Through the series of case studies that make up the chapters in this book, analysis brings these interlinked tensions to light, exploring the roles of culture and identity, alongside and a productive conversation with the political and economic projects of post-war European integration.?
出版日期Book 2019
關(guān)鍵詞Eurovision and European Integration; German Cultural Diplomacy; Germany and Post-National Identity; Nat
版次1
doihttps://doi.org/10.1007/978-981-13-9427-0
isbn_softcover978-981-13-9429-4
isbn_ebook978-981-13-9427-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
The information of publication is updating

書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956影響因子(影響力)




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956影響因子(影響力)學科排名




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956網(wǎng)絡(luò)公開度




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956網(wǎng)絡(luò)公開度學科排名




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956被引頻次




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956被引頻次學科排名




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956年度引用




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956年度引用學科排名




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956讀者反饋




書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956讀者反饋學科排名




單選投票, 共有 0 人參與投票
 

0票 0%

Perfect with Aesthetics

 

0票 0%

Better Implies Difficulty

 

0票 0%

Good and Satisfactory

 

0票 0%

Adverse Performance

 

0票 0%

Disdainful Garbage

您所在的用戶組沒有投票權(quán)限
沙發(fā)
發(fā)表于 2025-3-21 21:20:47 | 只看該作者
板凳
發(fā)表于 2025-3-22 03:20:53 | 只看該作者
Third evaluation of VAN, 1992, 1995,as contributions to a debate within Ukraine over national identity; and the geopolitical context within which such statements became politically provocative: explicitly or in subtext, all three rejected the perpetuation of the colonial cultural hierarchies of the Soviet past.
地板
發(fā)表于 2025-3-22 06:44:16 | 只看該作者
Heiner Igel,Gunnar Jahnke,Yehuda Ben-Zionon, would be collaborating on the establishment of a song contest for the Asia-Pacific region brought some commercial sense to the engagement, but also foregrounds a particular conceptualisation of Australia as a bridge between Europe and Asia.
5#
發(fā)表于 2025-3-22 11:05:42 | 只看該作者
Yehuda Ben-Zion,Vladimir Lyakhovskyies of ‘the political’ in international competition and revealed that Eurovision’s supposedly transnational public sphere was still officially conceived state-centrically and in ways that separated sexual and gender ‘diversity’ from the activism and politics of LGBT rights claims.
6#
發(fā)表于 2025-3-22 13:26:08 | 只看該作者
https://doi.org/10.1007/978-3-540-93818-7ts, highlighting some of the uneasy democratic tensions that arise in balancing demands for greater popular participation with the goal of selecting acts that mirror the diversity and traditions of the competing nation.
7#
發(fā)表于 2025-3-22 21:06:13 | 只看該作者
Entangled Histories: Identity, Eurovision and European Integration,a historical compromise between state, national and European identities. ‘Europe’ is imagined at Eurovision as a composite of state and nation bound together by a common past of conflict overcome, by performances that are shaped by its past and contemporary politics.
8#
發(fā)表于 2025-3-22 23:02:38 | 只看該作者
9#
發(fā)表于 2025-3-23 02:11:58 | 只看該作者
10#
發(fā)表于 2025-3-23 07:34:08 | 只看該作者
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學 Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點評 投稿經(jīng)驗總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學 Yale Uni. Stanford Uni.
QQ|Archiver|手機版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-19 09:57
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復 返回頂部 返回列表
赣榆县| 赤水市| 庆安县| 玛曲县| 慈溪市| 句容市| 大英县| 白河县| 宁德市| 水富县| 台南市| 土默特右旗| 常州市| 措勤县| 英吉沙县| 寿宁县| 图们市| 渝北区| 惠东县| 察隅县| 监利县| 庆安县| 彭水| 五家渠市| 乌恰县| 陆良县| 余江县| 南陵县| 新晃| 高陵县| 敖汉旗| 北碚区| 阿城市| 荆州市| 镇远县| 五常市| 肇源县| 竹溪县| 岳阳县| 临夏县| 武强县|