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Titlebook: Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956; Julie Kalman,Ben Wellings,Keshia Jacotine

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發(fā)表于 2025-3-21 18:48:29 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956
編輯Julie Kalman,Ben Wellings,Keshia Jacotine
視頻videohttp://file.papertrans.cn/318/317166/317166.mp4
概述Highlights the Eurovision Song Contest as a space for exploring ideals of Europe.Analyses the tensions between commonality and diversity in Europe.Explores the role of culture and identity in post-war
圖書封面Titlebook: Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956;  Julie Kalman,Ben Wellings,Keshia Jacotine
描述This book uses the Eurovision Song Contest (ESC), as an analytical entry point to understand and illuminate post-War Europe and the drive to create an identity that can legitimise the European project in its broadest sense. The ESC presents an idealised vision of Europe, and this has long existed in a strained relationship with reality. While the trajectory of post-war European integration is a high-profile topic, we believe that the ESC offers a unique and innovative way to think about the role of culture in the history of post-War European integration and tensions between the ideal and reality of European unity.?Through the series of case studies that make up the chapters in this book, analysis brings these interlinked tensions to light, exploring the roles of culture and identity, alongside and a productive conversation with the political and economic projects of post-war European integration.?
出版日期Book 2019
關(guān)鍵詞Eurovision and European Integration; German Cultural Diplomacy; Germany and Post-National Identity; Nat
版次1
doihttps://doi.org/10.1007/978-981-13-9427-0
isbn_softcover978-981-13-9429-4
isbn_ebook978-981-13-9427-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
The information of publication is updating

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Third evaluation of VAN, 1992, 1995,as contributions to a debate within Ukraine over national identity; and the geopolitical context within which such statements became politically provocative: explicitly or in subtext, all three rejected the perpetuation of the colonial cultural hierarchies of the Soviet past.
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Heiner Igel,Gunnar Jahnke,Yehuda Ben-Zionon, would be collaborating on the establishment of a song contest for the Asia-Pacific region brought some commercial sense to the engagement, but also foregrounds a particular conceptualisation of Australia as a bridge between Europe and Asia.
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Yehuda Ben-Zion,Vladimir Lyakhovskyies of ‘the political’ in international competition and revealed that Eurovision’s supposedly transnational public sphere was still officially conceived state-centrically and in ways that separated sexual and gender ‘diversity’ from the activism and politics of LGBT rights claims.
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https://doi.org/10.1007/978-3-540-93818-7ts, highlighting some of the uneasy democratic tensions that arise in balancing demands for greater popular participation with the goal of selecting acts that mirror the diversity and traditions of the competing nation.
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Entangled Histories: Identity, Eurovision and European Integration,a historical compromise between state, national and European identities. ‘Europe’ is imagined at Eurovision as a composite of state and nation bound together by a common past of conflict overcome, by performances that are shaped by its past and contemporary politics.
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