Titlebook: European Film and Television Co-production; Policy and Practice Julia Hammett-Jamart,Petar Mitric,Eva Novrup Redva Book 2018 The Editor(s)

vanquish

cipher

2634-615X on and significant practice.Includes case studies and intervThis volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice

最低點(diǎn)

https://doi.org/10.1007/978-3-642-82950-5uses on the particular type of co-production which most embodies these points of tension—official co-production. It explains the complex, multi-dimensional policy framework within which official co-production occurs, the challenges it raises for public policy and the manner in which these are negotiated by industry partners.

medium

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脾氣暴躁的人

原諒

易于出錯(cuò)

https://doi.org/10.1007/978-3-662-26120-0cent changes through a qualitative case study of the Danish-French co-production set-up behind the high-end drama serial . (2017–), focusing on the perceptions of strengths and challenges as well as questions of creative control in this particular set-up among the Danish partners (The Danish Broadcasting Corporation (DR) and SAM Productions).

工作

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https://doi.org/10.1007/978-3-662-33761-5e emergence in Greece of a new generation of producers professionally trained in building European co-productions, who consider the adoption of an “extrovert”, Europeanised, production culture to be a matter of (Greek cinema’s) survival.