Titlebook: European Film and Television Co-production; Policy and Practice Julia Hammett-Jamart,Petar Mitric,Eva Novrup Redva Book 2018 The Editor(s)

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書目名稱European Film and Television Co-production影響因子(影響力)




書目名稱European Film and Television Co-production影響因子(影響力)學(xué)科排名




書目名稱European Film and Television Co-production網(wǎng)絡(luò)公開度




書目名稱European Film and Television Co-production網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱European Film and Television Co-production被引頻次




書目名稱European Film and Television Co-production被引頻次學(xué)科排名




書目名稱European Film and Television Co-production年度引用




書目名稱European Film and Television Co-production年度引用學(xué)科排名




書目名稱European Film and Television Co-production讀者反饋




書目名稱European Film and Television Co-production讀者反饋學(xué)科排名

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2634-615X such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production th978-3-319-97156-8978-3-319-97157-5Series ISSN 2634-615X Series E-ISSN 2634-6168

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fertilizer

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overhaul

European Co-productions in a Digital Single Market: EUtopia or Dystopia?down national silos online and facilitate cross-border access to digital content. The Commission’s vision runs counter to the way that co-productions are financed in Europe, and the film industry therefore warns that a DSM will rip up their entire business model. This chapter examines the arguments

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The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policyecoming vertically and horizontally integrated while also simultaneously expanding into international sales and distribution markets. Such changes fundamentally alter the landscape of the continent’s media industries, which have up to now been characterized by national and linguistic fragmentation a

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International Co-production of Nordic Television Drama: The Case of e broadcasters have traditionally ventured into television drama in the Nordic languages. In the mid 2010s, this started changing, partly because of the international outreach and sales of serials such as . (2007–2012) and . (2010–2013). This development incited new players to move into the televisi