Titlebook: Ethno Identity Dance for Sex, Fun and Profit; Staging Popular Danc Anthony Shay Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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https://doi.org/10.1007/978-3-658-10573-0 create identities, to preserve cultures, because it is sexy, because the aesthetic components of the dance are compelling and alluring, because the contexts in which we can participate and view ethno-identity dances are inviting and exciting.

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,übersicht über die bisherigen Ergebnisse,he author describes four stages of Irish dancing: ., an improvised form of step dancing from the west of Ireland, dancing master-led step dancing from other areas, competition step dancing, and finally the spectacle of ..

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Empirischer Stand der Forschungin the 1930s, and continuing conflict with the Russians. (The conflict that was ongoing in 2016 occurred after the writing of this chapter.) He describes Ukrainian dance, both in the field dances and the spectacularized ethno-identity staged dances.

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Book 2016s dancingfor tourists - dancing for the nation or to demonstrate ethnic pride. In thisstudy Shay also examines belly dance, Zorba Dancing in Greek nightclubs andrestaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing..

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t - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride. In thisstudy Shay also examines belly dance, Zorba Dancing in Greek nightclubs andrestaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing..978-1-349-95517-6978-1-137-59318-4

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