Titlebook: Ethno Identity Dance for Sex, Fun and Profit; Staging Popular Danc Anthony Shay Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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Grundlagen der Unternehmensbewertung, draws the viewer, particularly the heterosexual male viewer. Belly dance was introduced to the West at nineteenth-century world fairs, particularly the Columbian Exhibition in 1893, where it was considered to be scandalous because of the dancers’ race and their lack of corsets. He addresses the ter

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,Unternehmer nach H?fetradition, of theater and fantasy: dramatic and theatrical movements and gestures and the sexual fantasies that the tango performance produces for many participants. He describes the history of the dance: how it originated in the brothels of Buenos Aires, found popularity in turn-of-the-century Paris and Lond

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,übersicht über die bisherigen Ergebnisse, the Irish, pointing out that Ireland and Ukraine were the only colonized nations in Europe. Following the disaster of the Potato Famine in the mid-nineteenth century, strong anti-English feelings of nationalism arose. The Gaelic League in 1893 therefore identified two elements—Irish dancing and the

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Empirischer Stand der Forschungnsemble, the Duquesne University Tamburitzans, and the Gandy Dancers of Los Angeles. Each of these groups performs Ukrainian ethno-identity dances, but each has a different ethnic composition and different motives for performing the dances— for nation, for profit, for fun, respectively. Shay then gi

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https://doi.org/10.1057/978-1-137-59318-4performance; folk; traditional; world; belly; Greek; hula; tango; Irish; Ukranian; multicultural; international

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978-1-349-95517-6The Editor(s) (if applicable) and The Author(s) 2016

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