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Titlebook: Ethno Identity Dance for Sex, Fun and Profit; Staging Popular Danc Anthony Shay Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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發(fā)表于 2025-3-21 16:55:42 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Ethno Identity Dance for Sex, Fun and Profit
副標(biāo)題Staging Popular Danc
編輯Anthony Shay
視頻videohttp://file.papertrans.cn/317/316277/316277.mp4
圖書封面Titlebook: Ethno Identity Dance for Sex, Fun and Profit; Staging Popular Danc Anthony Shay Book 2016 The Editor(s) (if applicable) and The Author(s) 2
描述.People all over the world dance traditional and popular dances that havebeen staged for purposes of representing specific national and ethnic groups.Anthony Shay suggests these staged dance productions be called “ethno identitydances”, especially to replace the term “folk dance,” which Shay suggestsshould refer to the traditional dances found in village settings as an organicpart of village and tribal life. Shay investigates the many motives that impelpeople to dance in these staged productions: dancing for sex or dancing sexydances, dancing for fun and recreation, dancing for profit - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride. In thisstudy Shay also examines belly dance, Zorba Dancing in Greek nightclubs andrestaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing..
出版日期Book 2016
關(guān)鍵詞performance; folk; traditional; world; belly; Greek; hula; tango; Irish; Ukranian; multicultural; international
版次1
doihttps://doi.org/10.1057/978-1-137-59318-4
isbn_softcover978-1-349-95517-6
isbn_ebook978-1-137-59318-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Conclusion, representation—I have passed the last part of that time contemplating the multiple meanings of these dances, which were so compelling to me and thousands of others. This volume has focused on the motives that impel individuals to perform, create and view ethno-identity dances. As I have attempted t
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Chapter 4 Lovely Hula Hands: The Many Faces of Hula, and customs, including dance customs. He focuses on the centrality of the ., or verses, which the dance movements serve to emphasize and enhance, thus making the verses the most important aspect of the performance. He goes on to contrast and compare hula kahiko, or ancient hula, with hula ‘a(chǎn)uana,
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Chapter 5 Irish Dancing: “When Irish Feet Are Twinkling” the Irish, pointing out that Ireland and Ukraine were the only colonized nations in Europe. Following the disaster of the Potato Famine in the mid-nineteenth century, strong anti-English feelings of nationalism arose. The Gaelic League in 1893 therefore identified two elements—Irish dancing and the
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